Even the rocks the titular wanderer stands on was pulled from nature. Below the Zirkelstein is the Gamrig, a rock formation that overlooks the village of Waltersdorf. The strange, vertical pillar in the far distance to the right of the figure is likely based on the Zirkelstein, a table hill topped by a 130ft tall sandstone rock on the border between Switzerland and the Czech Republic. Below the mountain a fingered rock craig seems to represent million-year-old Bastei rock formation. The distant mountain peak to the left of the figure resembles either the Kaltenberg peak in Austria or the Růžovský vrch, the Rosenberg mountain. Friedrich, who began painting in oils only after age 30, demonstrates a clear understanding of the medium in the depths of dark color he employs to execute his emotionally wrenching imagery.Friedrich described his approach to landscape painting saying “The artist should paint not only what he has in front of him but also what he sees inside himself.” Friedrich brought this practice to the Wanderer, splicing together a variety of landscapes from the Elbe Sandstone Mountains in Saxony, that he'd previously sketched in person. Wanderer Above the Sea of Fog, which Friedrich created the year he married, may be expressing his own personal struggle to tame his surging emotions for the sake of his young bride. This painting was not based upon an actual view experienced by Friedrich but consists of details drawn from sketches of various places he visited, including locations in Germany and Switzerland. If he sees nothing within, then he should stop painting what is in front of him.” A frightening, raging sea crashes in front of the lone, elegant figure in Wanderer Above the Sea of Fog. The relationship between trauma and inspiration is evident in Friedrich’s statement that “The painter should paint not only what he has in front of him, but also what he sees inside himself. After he tried to slit his own throat, he always wore a beard to hide the scar. Friedrich’s adult depression led to a suicide attempt in Dresden. Caspar slipped, and his brother died saving him. When he was a child, he was skating with his brother on the frozen Baltic Sea when the ice cracked. In Wanderer Above the Sea of Fog (1818) Caspar David Friedrich places the wander- ing subject of the painting as an intervening medium that stands between. The landscape of his native Germany was a source of inspiration, but his personal history might also explain the ominous tension between beauty and terror in his representation of nature. The sublime power of nature is a dominant theme in Friedrich’s paintings.
Wanderer Above the Sea of Fog, painting by Caspar David Friedrich completed about 1818. SpaceNext50 Britannica presents SpaceNext50, From the race to the Moon to space stewardship, we explore a wide range of subjects that feed our curiosity about space!.Learn about the major environmental problems facing our planet and what can be done about them! Saving Earth Britannica Presents Earth’s To-Do List for the 21st Century.Britannica Beyond We’ve created a new place where questions are at the center of learning.100 Women Britannica celebrates the centennial of the Nineteenth Amendment, highlighting suffragists and history-making politicians.
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